2002 - "Un Segundo"
(47 min, 'CDC')
Original Tracklist:
a) Parabus 0:24
1. Intro 4:22
b) Puente 0:25
2. Cosmica 3:46
c) Velocidad maxima 0:13
3. In Statu 4:10
d) Tranvia 0:29
4. En camino 5:28
5. Elementos 5:37
e) Camino Sinuoso 0:59
6. Escalapista 5:18
7. Balun Canan 5:46
f) Linea continua 0:14
8. Mil noches 5:29
9. Retorno 4:14
VM's version of the CD's tracklist:
1. Parabus 2:44
2. Intro 4:22
3. Cosmica 3:46
4. In Statu 4:10
5. En camino 5:28
6. Elementos 5:37
7. Escalapista 5:18
8. Balun Canan 5:46
9. Mil noches 5:29
10. Retorno 4:14
All tracks: by Cabezas De Cera.
Line-up:
Mauricio Sotelo - Grand Stick, electric,
& acoustic guitars; violin
Francisco Sotelo - drums & various percussion
Ramses Luna - various brass & woodwind instruments;
MIDI-keys; voice
Edgar Arrelin - engineering, devices
Produced by CDC.
Recorded & mixed by E. Arrelin & M. Sotelo
at "Ano Nuevo" studio.
Mastered by E. Arrelin
at "Ear Audio" studio, Ciudad de Mexico, Mexico.
Prologue.
First of all, I must say that none of the albums by Cabezas De Cera (CDC hereafter) can be related to the Luna Negra label, as both of them were self-released by the band. In that way, I must exclude my review of the eponymous CDC album from the Overall View on Luna Negra and all of the label's releases. And the reviews of both of the CDC albums should be parts of the same Overall View on the band's creation. Also, it needs to be said that the "Un Segundo" CD digipack is the most wonderful, unique, and intricate (I did not make a slip in speaking) CD packing I've ever seen in my life. By the way, the digipack of the band's debut CD was also highly original and different from any of the other especial CD cases I've ever seen (not to mention traditional jewel-cases). Read the review of the band's previous album above.
The Album.
Have a look at the original track list of "Un Segundo". After I listened to the album, I've decided to include my own version of its track list in this review. It's because of each of the (let's call them) pre-tracks consists of only a few effects and is, in fact, just a very short intro to the following track. Furthermore, all of these pre-tracks are similar among themselves. When programming my CD player, I collect all of them in the very beginning of the CD and, this way, have the track that looks like a real intro to (Intro and) the album. By the way, the album's closing track, Retorno, begins and finishes with effects of practically the same character, which, however, are not separated from this composition. After all, I'll be comfortable to describe "Un Segundo" using my own version of the album's track list. Above all, I was glad to hear that already on their second album CDC rather noticeable transformed their originally unique stylistics. Here, it is as polymorphous as that on the debut CDC album, even though the elements of Prog-Metal were completely lost somewhere on the band's way to "Un Segundo". Furthermore, unlike the debut, this album is of a unified stylistic concept, which, from a ProGfessional standpoint of view, is indescribable, or, in other words, is certainly about Fifth Element. Really, one can call this music as Symphonic Progressive based on the composed improvisations; the other can assert that this is nothing else than some of one unusual Jazz-Fusion just veered to a more symphonic sound, which would be incorrect in both of these cases. Most of the parts of the soloing instruments on the album, namely saxophone and clarinet, flute and whistle, electric, semi-, and acoustic guitars, Grand Stick, and marimba, apart from the other percussion instruments and drums, sound neither symphonic nor jazzy. The only aspect of "Un Segundo" that I am really sure in is that everything on the album was thoroughly composed, and the album itself is filled with an outstanding progressive music. As for the parts of soloing instruments in particular and the highly innovative arrangements that are present on each of the album's tracks in general, all of them are just about Fifth Element whatever one may say. Episodically, a few compositions on the album are marked with Spanish shades, while both of the closing tracks of it are filled with wonderful flavors of music of East. The eclecticism, the frequent use of complex time signatures, kaleidoscopic changes of musical directions and tempos, the high-quality musicianship of each of the band members, as well as the performance by the band as a whole, are the essentials of the second CDC album.
Summary.
Those of you who were happy enough to get the debut CDC album and like it, will certainly love "Un Segundo" as well, as both of the band's albums are real masterpieces. CDC perform the so-called New Music, which is really worthy to be called the music of the new millennium. However, to own the "Un Segundo" CD, you should wait until Musea Records will start the world-wide distribution of it.
VM. August 22, 2002