Campo Di Marte - 2003 - "Live 2003"
(43 min)
TRACK LIST:
1. Primo & Settimo Tempos 10:02
2. Back in Time 3:26
3. Bluesy Rocky 6:07
4. Italian Irish 5:02
5. Secondo Tempo 4:07
6. Terzo & Quarto Tempos 8:13
7. Rock Barock 2:45
8. Outro 3:51
All music & lyrics: by Enrico Rosa.
LINE-UP:
Eva Rosa - varied recorders; wind synthesizer
Enrico Rosa - acoustic & electric guitars; vocals
Alexander-Matin Sass - piano, organ, & synthesizers
Mauri Sarti - drums
Maurilio Rossi - bass
Produced by Enrico Rosa.
Recorded 'live' by S. Salaorni & T. Schmidt.
Mixed by T. Schmidt at "The Crocodile Inn", Denmark.
Synopsis.
CD 2 consists of eight tracks. Five of them are new compositions, and three are renderings of the songs from Campo Di Marte's only studio album, one of which: Secondo Tempo (5) sounds quite different from the original. Overall, it is much in the vein of the new recordings and, just like all of them, is an instrumental piece. In other words, the CD features only two songs (1 & 6), and these are the only tracks on the entire album that sound familiar to me. Although each of them consists of two parts, which were originally separate tracks, they have much in common, so it won't be hard for me to describe them more or less briefly. The music is as brilliant as almost everywhere on the album and is a triple union of guitar Art-Rock, Symphonic Progressive and Cathedral Metal, though the first song is heavier, while the latter contains also elements of classical music. For more details, please read the review of the band's >eponymous album. Only one of the new compositions reminds me of the band's classic sound, which is presented on the aforementioned tracks. This is Outro (8), where most of the musical events are accompanied by an excellent theatric narration. Most of the other tracks are strongly involved with chamber music in general and the music of Baroque in particular. Back in Time and Italian Irish (2 & 4) represent a Baroque-related Chamber Music in pure form and, in addition, have a medieval and folksy feel to them. The music is constantly developing, yet, there is very beautiful interplay between passages and solos of acoustic guitar, solos of woodwinds, and passages of either piano or string ensemble. Secondo Tempo and Rock Barock (5 & 7) have been performed by the entire band and consist of structures typical for both of the guitar and symphonic kinds of Art-Rock and, still, chamber music. Generally, varied wind instruments and a classical guitar play an important role in the direction that the group has chosen after its reunion. Bluesy Rocky (3) is a good piece, but it has very little to do with any of the two styles presented on "Concerto Zero", while it's clear that the main destination of the album lies in linking the band's past and present and, perhaps, future, too. In full accordance with its title, the composition is heavy Blues Rock, though not without some essential progressive features.
Conclusion.
"Concerto Zero" is more than an excellent album, which symbolizes more than the welcome return of Campo Di Marte, which, in its turn, is more than a merely remarkable and unique progressive outfit. In short, highly recommended!
VM: March 5, 2004