Short Reviews [Evergrey - 2019 - "The Atlantic"]

I’m not sure, but I think the last Evergrey album I heard prior to this one was ‘Monday Morning Apocalypse’, which came out in 2006, but apart from bassist Johan Niemann the line-up is exactly the same as it was back then. Tom S. Englund provides vocals and guitars, and he is joined by Henrik Danhage (guitars), Rikard Zander (keyboards) and Jonas Ekdahl (drums). Back in 2004, when reviewing ‘The Inner Circle’ I said, “They are more to the metal end of the prog metal genre than their contemporaries, and the result is a type of music that is extremely loud and heavy while maintaining the melody and invention of the genre.” In very many ways that is still true today, except there are passages when they show they can hit into ballads when the time is right. They are a very heavy band, with harmony vocals, loads of commercial hooks and a production which takes off the rough edges without ever losing the majesty of the performance. They have a huge sound, and one can imagine Devin Townsend being involved with production, as they convey images of Muse with Opeth yet still hitting mainstream hooks and sounds. Unlike certain bands from their hometown of Gothenburg, they continue to delight, and show no sign at all of moving away from their determined path. I do regret missing out on the last four studio albums, and if they are nearly as good as this, I see I have some investment to undertake. Twenty years on, Everygrey are still delivering the progtastic metallic goods.