Prolusion.
FROMUZ is perhaps the best known progressive rock band operating out of Uzbekistan, a country once a part of the Soviet Union that now has a substantial history as an independent nation. Fromuz was formed back in 2005, and since their debut effort "Audio Diplomacy" they have four full-fledged albums to their name, of which "Quartus Artifactus" is the most recent and most massive, I might add, as this production contains two CDs and a DVD.
Disc 1 (54:32)
TRACK LIST:
1. Stone Salad 13:26
2. Familiarization Results 7:45
3. Harry Heller Theater 12:11
4. Perfect Place 1:37
5. Parallels 19:33
LINEUP:
Vitaly Popeloff – vocals; guitars
Albert Khalmurzaev – keyboards; guitars; flute
Igor Elizov – keyboards, piano; vocals
Ali Izmailov – drums, percussion
Sur'at Kasimov – bass
Analysis.
There is a theory amongst some that if artists really are to showcase how able they are as musicians and how talented they are as songwriters, they should perform their material in an acoustic setting. A theory that gained popularity some years back when MTV decided to invite artists to do just that, resulting in a fashionable trend amongst well known and lesser known artists alike to produce albums containing acoustic versions of their previously released material. And while the theory itself can be argued on a pro and con basis for hours on ends, one of the positive results of this trend was that many music fans developed a taste for songs performed without layers of studio magic and with arrangements of a more sparse nature. In addition, quite a few songs came across as substantially different in nature and expression when given this down-to-earth treatment. And while I don't suspect that Fromuz is amongst those inspired by this older trend in the music biz, I do find it intriguing when they choose to release such a massive production containing alternative versions of their previously released material. Unlike the trend described above, Fromuz doesn't abandon their electric equipment altogether. The electric guitar has been locked in the closet however, replaced by its acoustic sibling, and the use of keyboards has been toned down extensively, replaced in part or in whole by the piano, which does lead to an altogether different dynamic in the rather complex compositions of this band. The arrangements are sparse, at least when compared to the previous incarnations of these creations, but hardly ever to the point of appearing fragile and naked. Izmailov's elegant drum and percussion work and the frequently jazz-oriented fretless bass guitar courtesy of Kasimov add energy and elegance aplenty, be it of the hectic fireworks variety or the dampened, careful and sophisticated arrangements that are just as much a part of this band's repertoire. But the shining star throughout is Popeloff's acoustic guitar, freely wandering through leading motifs, underscoring on the odd occasions when keyboard, piano or flute take the lead or combining with the tangents for themes of a more compact and energetic nature. Most songs do take on slightly more of a jazz-oriented feel on this occasion, and a regular feature throughout consists of inserts with more of a folk-tinged, eastern-inspired sound. Apart from that, fans of this band will find it intriguing how different the associations they receive from encountering these alternative versions are. The flute sequences on opening track Stone Salad easily reminds of a band like Camel, the more careful synth- and piano-based themes reminding the listener ever so slightly of Jeff Lynne'sElectric Light Orchestra, to name but two bands whose names you wouldn't normally think about when immersing yourself in the back catalogue of Fromuz. When that is said, these compositions are just as sophisticated and eclectic as they were in their previous versions. The relatively sparse nature of these semi-acoustic arrangements does result in songs slightly more accessible, but the careful nuances and details have all been kept intact. As with the different albums these songs first appeared on, the end result is generally above the ordinary throughout, most impressive of all on final epic Parallels in my opinion, a composition that to my ears is subtly more interesting in this version than the original. A solid first disc out of three.