2002 - "Kingdom Come"
(72 min, "JAM")
1. Flying Hearts 1:36
2. Ocean of Dreams 10:41
3. Flaming Hearts 1:05
4. Born of Water 8:57
5. Children's Song 3:50
6. Kingdom Come-I 34:06
7. Kingdom Come-II 1:27
8. Meadows 11:05
All music written, arranged, performed,
recorded, mixed, & produced by Jeremy Morris.
Mastered at "Diamondisc Audio", Antioch, TN.
Solo Pilot:
Jeremy - electric, acoustic, & bass guitars;
keyboards; drum-programming
Prologue.
As far as I know, "Kingdom Come" is the fourth official album by Jeremy, the well-known Solo Pilot of Prog. His previous album, "Salt the Earth" (1999), was released by "Moonchild", while "Pilgrim's Journey" (1995) & "Celestial City" (1997) were released by "Kinesis". (Unfortunately, there are neither "Moonchild" nor "Kinesis" on today's map of Progressive Rock.)
The Album.
Structurally, "Kingdom Come" differs from any of the previous albums by Jeremy. Only the opening and closing tracks of the album contain the parts of drums. Furthermore, the work of the rhythm section is really evident only on Meadows, as Flying Hearts is a very short piece. Also, Flying Hearts is one of the two compositions on the album that sound quite strange for these ears (that, by the way, are well familiar with the creation of Jeremy). Another strange piece is the 9-minute Born of Water (track 4). Both of these compositions feature the slow and rather abstract solos of synthesizers and guitar, accompanied only by echoes and various effects. These structures are so amorphous that I can't find any words but "strange" to describe Flying Hearts and Born of Water. Fortunately, all six of the remaining compositions on the album are very good, at least. However, not all of them are of a unified stylistic concept. In that way, I have to describe them in parts. All three of the remaining short tracks on the album, Flaming Heart, Children's Song, and Kingdom Come-II (1, 3, & 5), most of all remind me of pieces of a light Classical Academic Music, performed at a slow pace. The arrangements that are present on each of them develop slowly yet constantly, which is typical for Academic Music. Flaming Hearts consists of interplay between a few of the lush keyboard passages, including those of a string ensemble. Varied interplay between the 'classical' passages of acoustic guitar, string ensemble, and a softly sounding solo of another synthesizer, are featured on Children's Song and Kingdom Come-II. However on Meadows (8), which is undoubtedly the best composition on the album, a light Classical Academic Music appears in all its beauty. This 11-minute composition sounds truly classical and symphonic. It is marked not only by the arrangements that develop constantly, but also by a very rich sound. The passages of strings and acoustic guitar are here enriched with solos of electric and bass guitars, and various synthesizers. Stylistically, both of the remaining compositions, Ocean of Dreams and Kingdom Come-I (2 & 10), are similar among themselves. Ocean of Dreams features the thoughtful and diverse arrangements of both the symphonic and spacey characters. Of course, the structures of the album's title track contain the larger number of 'genre' constituents than those of Ocean of Dreams. The stylistics of Kingdom Come-I can be defined as an innovative blend of Symphonic Art-Rock, Space, and Folk Music with the bits of Classical Academic Music and Heavy Metal. I don't know what are the instruments Jeremy used on the album's title track. However, being well familiar with a Greek folk music Buzuki (there is quite a large Greek Diaspora in Tashkent), where the main soloing instrument is a kind of guitar, which is called Buzuki as well, I can assert that there are many of the Buzuki motifs on Kingdom Come-I. And they are as notable here as the symphonic and spacey structures.
Summary.
The distinct originality of music, raised to the power of innovation that is present on most compositions of "Kingdom Come", makes this album very intriguing. Furthermore, its stylistic motley should attract the attention of various categories of Prog-lovers. I however, prefer the albums that were created within the framework of a unified stylistics. So "Pilgrim's Journey" (1995) and "Celestial City" (1997) still remain my favorites among the albums by Jeremy. Nevertheless, "Kingdom Come" is in many ways a remarkable album.
VM. June 6, 2002