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Mastodon - 2014 - "Once More 'Round the Sun"

(54:08; Reprise Records)


*****+

This 2014 album was the sixth from Mastodon, following on some three years from 2011’s acclaimed ‘The Hunter’. Although I originally missed out on the debut, I clearly remember when I was sent their 2004 release ‘Leviathan’ and the impact it had on me. Back then they were in all the music magazines but moving to New Zealand just a few years later meant I lost track of what they were doing and it is only now that I am starting to revisit the catalogue. There are few bands who manage to stay together throughout their career, but the line-up on this one was the same as on the debut (and actually still is today), namely Troy Sanders (bass, vocals), Brent Hinds (guitar, vocals), Bill Kelliher (guitar) and Brann Dailor (drums). Over the years they have become renowned for their attention to detail, and how they mix many forms of metal to create something which is uniquely theirs. This means they can be playing something which is more akin to sludge and then surprise everyone with some incredibly melodic guitar twin harmonies which is totally out of character for what is happening musically yet also fits in perfectly. Then over the top of it all there are the dual lead vocals which add yet more melody to what is an incredibly heavy band. But they are also not afraid to show what inspires them, and when listening to the title cut, one cannot help but be taken back to the Seventies, although in a far heavier and bass-led fashion. This song also contains samples of Lizzy’s “Cowboy Song”, and one wonders if this was a premonition of things to come given that bassist Sanders was asked to join that band for some live shows five years later. This is progressive metal in that there is a real refusal to accept boundaries or norms, creating music very much on their own terms, no compromise whatsoever yet somehow they create something which is incredibly easy to listen to and enjoy on the very first time of hearing. It is powerful and aggressive, yet with a layer of polish and versatility which belies the force of what is going on underneath. While it may not have the immediate impact of ‘Leviathan’ one can see why this is such highly regarded release and I am certainly glad that I have finally remade my acquaintance with the band.

Progtector: December 2020


Related Links:

Mastodon Warner Records


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