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MIA - 2010 - "Archivos: 1974-‘85"

(148:52 2CD, Viajero Inmovil Records)


****+

Prolusion. The Argentinian ensemble MIA (an abbreviation of Musicos Independientes Asociados – not to be confused with “Missing in Action”) was a project based around composer and keyboardist Lito Vitale, which had its main activity between 1974 and 1980. Friends and acquaintances came and went in the different versions of this ongoing project until it fell apart in 1980, although new material was made under that moniker for a few more years. "Archivos MIA: 1974 – ‘85" chronicles the musical history and heritage of this project on two discs, containing quite a lot of material I surmise is previously unreleased.

Disc 1 (75:29)
*****

TRACK LIST: 

1.  El Sexteto 10:35
2.  Coral Rock 4:57
3.  Clima De Febrero 2:53
4.  Estadia En La Casa De Las Aranas 4:17
5.  El Ultimo Dia De Los Alisios 4:43
6.  Las Invasiones Inglesas 5:54
7.  Teclados Improvisacion 15:15
8.  Reposo Diafano 5:35
9.  Arde En El Aire-1 1:55
10. Arde En El Aire-2 2:23
11. Baile Ritual De La Sombra 2:53
12. De Como Los Hombres Se Quedan Tristes 2:40
13. Cuarta Inspiracion 11:29

LINEUP:

Not stated 
Analysis. It is apparent that MIA had members covering a vast array of different stylistic interests in their midst, as the 13 pieces covered on the first disc of this double release is spread across a rather wide area as far as musical genres are concerned. Their symphonic credentials are covered at length on Teclados Improvisacion and Cuarta Inspiracion, just over 26 minutes in total that should be a blissful experience for anyone with a special interest on stand-alone keyboard efforts, the former an improvisational number not light-years away from Eloy and Pink Floyd in expression, the latter exploring a sound with much more of a sacred nature to it. And if you enjoy material with a sacral touch to it, there's quite a lot of it at hand on this production. MIA apparently had a thing for compositions featuring choirs. It is employed in more of a symphonic tradition on Coral Rock, but later on with less of an emphasis on the musical foundation and much more so on the vocal part of it in both stunning chapters of Arde En El Aire as well as the following Baile Ritual De La Sombra, the latter with a somewhat richer musical backdrop finely followed up on the non-vocal chamber inspired piece De Como Los Hombres Se Quedan Tristes. The third stylistic aspect explored is fusion, as in the slick but majestic opening track El Sexteto, with more of a strictly laid-back jazz effort following later on in the case of Reposo Diafano. Besides exploring a relatively broad stylistic palette, the most central characteristic of the material presented on the first item of this double feature is the strict focus on harmony and melody. Those who have a deep affection for material of a starkly challenging nature won't find much that will cater to their tastes on this production, while those fond of the enthralling beauty of richly layered harmonic efforts or relatively simple and straightforward melodic excursions have a veritable smorgasbord at hand here. The only letdown as such is the recording quality on some of the live recordings, and a couple of voice- and vocals-dominated creations where mastering the Spanish language is needed to be able to enjoy these particular exploits.

Disc 2 (73:23)
***+

TRACK LIST: 

1.  Suite Moderna: Tormanta 4:26
2.  Suite Moderna: La Puerta Del Sol 4:22
3.  Suite Moderna: Nacimiento 9:37
4.  Angel De Los Cerezos 4:03
5.  Nacimiento 5:50
6.  La Ciudad Amailla 6:19
7.  Semblanza 2:15
8.  Hombre Eleva Tu Existencia 3:24
9.  Lo Que Hay De Humano En Mi 4:56
10. La Epoca Quebrada 2:54
11. Copla De Aldea 4:17
Bonus material:
12. Experiencia Documental No 4: MIA En Santa Fe 21:00

LINEUP:

Not stated 
Analysis. The second disc of this compilation is one that arguably will be of most interest to existing fans of this band. Mostly due to the recording quality: unless I'm much mistaken, these are all live efforts and the audio capture is far from state-of-the-art in this case. These efforts are all previously unreleased as far as I can tell, which does warrant issuing them despite a sound quality that for many may appear to be lacking, and fans of this band in particular will find these performances to be a nice bonus. Much the same can be said of the 20 minutes of film footage available in the commercial edition of this release, from what I understand so-so in terms of image quality, but as it is the only film footage available those who hold this act dear will find it to be of interest nonetheless. The opening trio of tracks sorted under the Suite Moderna moniker will represent a familiar sound to those who have encountered this band on previous occasions, melodic harmony-laden works to be filed in the symphonic part of the art rock realm. Not as convincing on this recording as they were live presumably, since quite a lot of resonance and instrumental details seem to be lost. But these are enjoyable efforts nonetheless. The remainder of the pieces, with a few minor exceptions, explores a rather different stylistic universe, where descriptions such as singer/songwriter are just as applicable as folk-inspired. Dual male and female vocals and acoustic guitars are the main ingredients, with occasional symphonic textures applied by keyboards and organ, with wandering piano motifs a much more frequently utilized musical spice. The flute makes the odd appearance as well, adding a certain emphasis to the folk music tinges of these numbers. Personally I'd highlight De Como Los Hombres Se Quedan Tristes as the most interesting effort on this second chapter of this Archivos production, a gentle piano ballad where the input from the female vocalist adds nerve and tension that does manage to lift this composition a bit above the ordinary for such an excursion.

Conclusion. "Archivos MIA" comes across as a production seeking to satisfy two different audiences. Those unfamiliar with this ensemble will receive a good overview of the scope of their repertoire on the first of these CDs, while existing fans most likely will find the second one most intriguing due to the unreleased material and the bonus video footage that makes up this CD. And while the musical contents as such do leave a bit to be desired in order for this production to warrant a general recommendation, there are quite a few reasons for existing fans to take note of this production, if they haven't already done so that is.

OMB=Olav M Bjornsen: Feb 6-7, 2011
The Rating Room


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Viajero Inmovil Records


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