Analysis.
The final installment of "The Correlated ABC" is a good, old fashioned full length vinyl LP. Featuring both studio and live recordings, unless my ears deceive me, and quite a few relatively long pieces of music that for some reason or other have been divided into separate parts alongside longer standalone constructions. And again we're presented with a shift in sound, subtle in character perhaps but one that the avid listener will notice. The initial three compositions continue more or less where the EP stopped, with atmospheric laden excursions sporting careful keyboard and synthesizer motifs in dampened arrangements carefully backing gentle instrumentation, and in the case of the third piece
The Main Event we're also treated to a creation featuring lead vocals. The following
All of the Answers heralds a shift though, the twisted, distorted and what I'd describe as apocalyptic moods thoroughly explored in this instrumental one of the clear highlights of this album. From here and out many of the pieces explored come across as more fragmented and unfinished in nature, and frequently sporting motifs and themes that are more distinctly dream-laden and ambient in nature. The odd breathing noises on
Right On Time and the sickly guitar motif on
Ultimate Signs of Life interesting details in themselves, but by and large the arrangements are less elaborate and contain less details, and as such won't be as rewarding for the listeners as much of the material preceding it. De Haan is an able conjurer of pleasant and hypnotic moods though, and his performances on piano and keyboards are well worth experiencing, also within the arrangements of a less sophisticated nature. And for those who listen to this whole production in one go, having a run of compositions of a less challenging nature will perhaps feel like a natural conclusion to this production too, the dream-like and frequently melancholic touches befitting the conclusive end to a band that didn't get to release their final material until a quarter of a century had come and gone.
Conclusion.
Pythagoras make a welcome return with this slightly reworked version of material recorded back in the first half of the 1980's. A production of interest to existing fans as well as keyboard and synthesizer aficionados in general, and those who have a deep affection for vinyl releases will also enjoy the lavish vinyl edition, where the album cover can be made into a triangular piece of exhibition art and the full package includes a single, an EP and an LP, in addition to the CD version of the album. The slightly deteriorated sound quality and the distinctly 80's electronic drums are the main drawbacks, nothing major, but at least in the case of the latter an element that will take a bit of effort to get familiar with.
OMB=Olav M Bjornsen: June 2-3-4, 2012
The Rating Room