Analysis.
The third disc of "Rokstenen" is a much more varied affair than the previous two. While the first and at least to some extent the second CD were firmly rooted in the symphonic parts of art rock, this third chapter seeks out other and mostly psychedelic parts of the prog rock universe, and some may feel that a few of the items at hand have been pulled from alternate stylistic realms as well. More importantly, the material on this final disc is also the most adventurous included in this mammoth box set. Arguably the strongest as well, if you disregard the drifting experimental sound collage Kontinuerlig Drift which is found at the very end of this musical journey. The highlights are plentiful on this CD, and with the exception previously noted there isn't really a weak track among this lot, nor an average one. This is high-quality through and through. The opening chamber piece Secondo Intermezzo kicks this one off, the second item by Swedish classical composer Roman featured on this compilation. Daal comes next with a synth-dominated take on Rokstenen's Var Glad Var Dag, closer to symphonic-meets-electronic than symphonic rock in style and a truly amazing aural experience. Pseudosun blends the expressions of Deep Purple and Black Sabbath quite nicely on their take of Life's En Av Oss, with a slight touch of blues and art rock added to the proceedings, while Anya's take on November's Mount Everest sounds more like
Tony Iommi's men alone with a more blues-oriented sound, with a nice flute solo interlude as the token art rock insert. Following this item, the CD shifts towards the psychedelic part of the art rock universe, with strong and amazing tracks coming one after another. My personal favorite on the entire box set comes courtesy of Moosequartet and their take on Fickteatern's proletarian anthem Vi Valde Inte Valdet, and prior to that piece Matthijs Herder takes us on an enthralling epic journey with Two Hours Over Two Blue Mountains, where the meandering final passages, a slight letdown, are arguably the only weak point on this space-tinged, fluctuating journey. Orient Sqeezers' twisted psych-folk rendition of Zamla Mammas Manna's Odet is another thrilling encounter, and the liberally raga-tinged psych-folk effort Worlds on Fire sits just as well in the version by In The Labyrinth as the original by Handgjort. In short the third part of the "Rokstenen" project is a thrilling ride from start and almost to the end, the highlight of a very well-made, high quality compilation.
Conclusion.
The cooperative projects instigated and crafted by the Finnish prog association Colossus and subsequently released and distributed by Musea Records are known for their high quality, and "Rokstenen" is among the best of the lot I have encountered. A joy to become familiar with in itself, and those with an interest in or curiosity concerning Swedish progressive rock from the 70's better note down this item on their must-get list. As it was released in 2009 and in a limited set of physical copies, those who desire the CD box set with the customary thick, detailed booklet better hurry if they'd like to add this one to their collection, though.
OMB=Olav M Bjornsen: March 15-16, 2011
The Rating Room