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(69:06; Inside Out Music)
The first major surprise for me, even before putting this on the player, was to see the return of Nick D’Virgilio, replacing Jimmy Keegan. He has come back in his original role in the band as a drummer who also provides additional vocals, and the band are downplaying his future with the band. “Well, we are very happy to have Nick back with us for the album,” says Leonard. “But right now, it does not go any further.” “We would love Nick to be able to play live with us again,” adds Okumoto. “The trouble is that he has so many other commitments with his time that I doubt he can fit us into his schedule when it comes to touring. But even if we end up finding another live drummer, then we hope Nick will still be able to go into the studio with us in the future.” The other surprise comes when it is put on the player, as this is in many ways the most AOR-oriented and melodically friendly album they have released to date. In the last three albums the band have changed for each release, but never so dramatically that they would lose fans, but instead have taken them on a journey. I am a huge fan of Neal’s work, in whatever band he has been involved with, but he does have a very recognisable style of writing and performing. Here SB have evolved, with Ted’s wonderful vocals allowing the band to switch into songs which wouldn’t sound out of place on a commercial rock radio station. Whether it is the acoustic guitar interplay on “Somebody’s Home” or the more bombastic opener “To Breathe Another Day” this is an easy enjoy progtastic romp which had me smiling the very first time I played it and has kept me happy ever since. Yes, there are bits that come across as Kansas with wonderful harmonies, but I like Kansas! Each Spock’s Beard album keeps the listener wondering what the next one will be like, and it is a real shame I can’t ever see them playing down here as I would love to catch these guys touring this.
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