2002 - "Hidden Agenda" (52 min, "English Garden"/"Hi-Note Music")
1. Swallow's Tail 3:56 (traditional; arr. by The Morrigan)
2. In The End 6:02 (The MORRIGAN)
3. Volta & Balta Danse 5:37
(Praetorious & Susato; arr. by The Morrigan)
4. Roaring Forties 4:12 (Masson)
5. A Night To Remember 9:50 (The MORRIGAN)
6. The March Hare 5:22 (traditional; arr. by The Morrigan)
7. The Other 6:53 (Alexander)
8. Joe Cooley's Reel 6:30 (traditional; arr. by The Morrigan)
9. The Parting Glass 4:07 (traditional, arr. by Alexander)
Line-up:
Cathy Alexander - vocals; lead keyboards;
recorders; acoustic guitar
Colin Masson - acoustic, electric, & bass guitars;
keyboards; vocals
Dave Lodder - electric, acoustic, & bass guitars;
keyboards
Mervin B - vocals; flute; bass guitar; percussion
Arch - drums & percussion; vocals
With:
Matt Carter - mandolin & banjo (on a couple of tracks)
Produced by Colin Masson.
Engineered by C. Masson,
C. Alexander, Luke Handy, & Chas Pinder.
Cover artwork by C. Masson & Dave Chivers.
Prologue.
The Morrigan's debut, "The Spirit of the Soup", was an original, unique, and truly excellent album. So, how great it is to be familiar with the creation of a band, of which, each new album is better than its predecessor. Read the other reviews of the Overall View on The Morrigan's creation, as well as the interview that the founders of the band, Cathy Alexander and Colin Masson, gave exclusively for ProgressoR.
The Album.
The music that is presented on this album is filled with the whirlwind-like arrangements that are so intensive, expressive, and impressive that I was listening to them feeling slightly (I am, nevertheless, an old progress-sea-dog), dumbfounded. Unlike the earlier albums by the band, there is only one ballad on "Hidden Agenda", - the closing track of it, The Parting Glass. Though even here, all the instrumental and vocal arrangements are clearly of a classic character. However, let's begin talking about the album from the very beginning. Four out of the nine tracks on the album are instrumental pieces: Swallow's Tail, Volta & Balta Dance, The March Hare, and Joe Cooley's Reel (1, 3, 6, & 8). However, each of the five songs on "Hidden Agenda": In the End, Roaring Forties, A Night To Remember, The Other, and The Parting Glass (2, 4, 5, 7, & 9), features the arrangements that are diverse, large-scaled, and very intriguing. Furthermore, these arrangements remain intensive regardless whether there are vocals or not. On the other hand, most of the parts of vocals that are present on the album are not only wonderful by all means (which is typical for The Morrigan), but also outstandingly diverse and inventive. As you can see above, four out of the band's five musicians are, in addition, the singers, and please believe me, - all of them are excellent vocalists. Cathy sings alone on The Other and The Parting Glass, and Mervin take the duties of a lead singer on In the End and Roaring Forties. Cathy is a lead vocalist also on A Night To Remember, though there also are Mervin's vocals in the end of it (don't confuse with the aforementioned In the End :)). Each of these songs, however, contains also a few of the parts of wonderful choir. It must be noted that the instrumental arrangements are often intensive and truly hard-edged on almost all of the tracks on the album (the only exception being the aforementioned The Parting Glass, which is wonderful in its own way), - stylistically, they're by no means radically different among themselves. The longest track on the album, A Night To Remember (5), which I find the most intricate (i.e. the best) composition here, consists of a unique blend of Classic Symphonic Art-Rock and Prog-Metal. The best definition of the music that is featured on Swallow's Tail, In the End, The March Hare, The Other, and Joe Cooley's Reel (1, 2, 6, 7, & 8) would probably be Classic Symphonic Art-Rock with elements of Prog-Metal and a few of the folksy tunes. The latter were presented with solos of either synthesizers (on tracks 1 & 7) or woodwinds (on 2, 6 & 8). Both of the remaining tracks, Volta & Balta Danse and Roaring Forties (3 & 4), are the bright representatives of Progressive Folk Rock, or, to be more precise, English folk music, which was arranged and performed according to the laws of Symphonic Progressive. Both of them, nevertheless, contain a few of the elements of Prog-Metal as well. Generally, it must be said that the arranging and performing contributions to the music of The Morrigan by guitarist Dave Lodder, who joined the band in the second half of the 1990s, are, in my honest opinion, very significant. Everything is brilliant on this album: compositions, arrangements, and the joint performance by the band, and the musicianship of each of its members as well. The parts of various synthesizers, woodwinds (flute and recorder), electric & bass guitars, and drums and interplay between these instruments dominate in the arrangements throughout the album. Though the album's closing track does not contain the parts of drums and electric guitar. Six out of the eight compositions on the album are rich also in solos and passages of acoustic guitar. Only the parts of organ, acoustic piano, hand percussion, cello, and accordion appear on the album episodically. In that way, it's not that difficult to imagine how "Hidden Agenda" is rich in sound. Should I mention that a wide-variety of essential progressive ingredients are 'scattered' like a stream-gold everywhere on this album, which, in its turn, just shin
Summary.
In my honest opinion, "Hidden Agenda" is the most complex, intriguing, and... simply the best album by this English band and by all means (though, of course, its compositional and performing characteristics are especially impressive). Overall, it has more a heavy, dense, and (what's central) coherent sound than even the band's previous masterpiece "Masque". Also, the new brand album by the world's premier Progressive Folk Rock band, The Morrigan, is one of only a few of the really strong albums of Symphonic Progressive that I've heard this year. Honest. I believe some of you have already arrived at a correct conclusion.
VM. September 12, 2002